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AUTUMNAL MORALITIES FOR the
month past
my weekly talk has been more or less a traveler's tale — of things
among the
mountains and at the seaside. Now, on this bright afternoon in the last
week of
October, a month that every outdoor man saddens to see coming to an end
(like
May, it is never half long enough), let me note a little of what is
passing in
the lanes and byroads nearer home. Leaves are
rustling
below and above. As is true sometimes in higher circles, they seem to
grow
loquacious with age; the slightest occasion, the merest nudge of
suggestion,
the faintest puff of the spirit sets them off. For me they will never
talk too
much. I love their preaching seven days in the week. The driest of them
never
teased my ears with a dry sermon. I scuff along the path On purpose to
stir
them up. “Your turn will come next,” I hear them saying; but the
message does
not sound like bad news. I listen to it with a kind of pleasure, as to
solemn
music. If the doctor or the clergyman had brought me the same word, my
spirit
might have risen in rebellion; but the falling leaf may say what it
likes. It
has poet's leave. How
gracefully they
come to the ground, here one and there another; slowly, slowly, with
leisurely
dips and turns, as if the breeze loved them and would buoy them up till
the
last inevitable moment. Children of air and sunshine, they must return
to the
dust. So all things move in circles, — life and death, death and life.
Happy
leaves! they depart without formalities, with no funereal trappings.
The wind
whispers to them, and they follow. As I watch
them
falling, a gray squirrel startles me. I rejoice to see him. He, too, is
a
falling leaf. In truth, his living presence takes me by surprise. So
many gunners
have been in this wood of late, all so murderously equipped, that I had
thought
every squirrel must before this time have gone into the game-bag. Be
careful,
young fellow; you will need all your spryness and cunning, all your
knack of
keeping on the invisible side of the trunk, or your frolic will end in
sudden
blackness. This is autumn, the sickly season for squirrels and birds.
“The law
is off,” and the gun is loaded to kill you. Take a friend's advice, and
fight
shy of everything that walks upright “in the image of God.” Yonder
round-topped
sweet-birch tree is one of October's masterpieces; a sheaf of yellow
leaves
with the sun on them. How they shine! Yet it is not so much they as the
sunlight. Nay, it is both. Let the leaves have the honor that belongs
to them.
In a week they will all be under foot. Today they are bright as the
sun, and
airy and frolicsome as so many butterflies. Blessed are my eyes that
see them.
And look! how the light (what a painter it is!) glorifies the lower
trunk of
the white oak just beyond. The furrowed gray bark is so perfect a piece
of
absolute beauty that, if it were framed and set up in a gallery, the
crowd — or
the few that are better than a crowd — would be always before it. So
cheap and
universal are visual delights, so little dependent upon place or season
—
sunlight and the bark of a tree! In the branches overhead are chestnut-loving blackbirds, every one with a crack in his voice. Far away a crow is cawing, and from another direction a jay screams. These speak to the world at large. Half the township may hear what they have to offer. I like them; may their speech never be a whit softer or more musical; but if comparisons are in order, I give my first vote for less public — more intimate — birds, such as speak only to the grove or the copse. And even as I confess my preference, a bluebird's note confirms it: a voice that caresses the ear; such a tone as no human mouth or humanly invented instrument can ever produce the like of. He has no need to sing. His simplest talk is music. Here, by
the
wayside, a few asters have sprung up after the scythe, and are freshly
in
flower. How blue they are! And how much handsomer a few stalks of them
look now
than a full acre did two months ago. So acceptable is scarcity. There
is
nothing to equal it for the heightening of values. It is only the poor
who know
what money is worth. It is only in October and November that we feel
all the
charm of Aster lævis.
I think of
Bridget Elia's lament over the “good old times” when she and her cousin
were
“not quite so rich.” Then the spending of a few shillings had a zest
about it.
A purchase was an event, a kind of festival. I believe in Bridget's
philosophy;
for the asters teach the same; yes, and the goldenrods also. They, too,
have
come up in the wake of the scythe, and still dwarfed, having no time to
attain
their natural growth, as if they knew that winter was upon them, are
already
topped with yellow. I carry home a scanty half handful of the two,
asters and
goldenrods, as treasure-trove. They are sure to be welcome. When all
the
fields were bright with such things, they seemed hardly worth
house-room. This
late harvest of blossoms is one small compensation for all the ugliness
inflicted upon the landscape by the habit — inveterate with highway
“commissioners” — of mowing back-country roadsides. As if stubble were
prettier
than a hedge! Now I pass
two
long-armed white oaks, which I never come near without thinking of a
friend of
mine and of theirs who used to walk hereabouts with me; a real tree
lover, who
loves not species, not white oaks and red oaks, but individual trees,
and goes
to see them as one goes to see a man or a woman. This pair he always
called the
twins. They have summered and wintered each other for a hundred years.
Who knows
— putting the matter on grounds of pure science — whether they do not
enjoy
each other's companionship? Who knows that trees have no kind of
sentience? Not
I. We take a world of things for granted; and if all our neighbors
chance to do
the same, we let the general assumption pass for certainty. If trees
do know
anything, I would wager that it is something worth knowing, something
quite as
good as is to be found in any newspaper. Here are
red maples
as bare as December, and yonder is one that is almost in full leaf; and
by some
freak of originality every leaf is bright yellow. Three days more and
it will
be naked also. Under it are white-alder bushes (Clethra) clothed in dark
purple, and tall blueberry bushes
all in red, with yellow shadings by way of contrast. This is in a
swampy spot,
where a lonesome hyla is peeping. Just beyond, the drier ground is
reddened —
under the trees — with huckleberry and dangleberry. Nobody who has not
attended
to the matter would imagine how much of the brightness of our New
England
autumn — one of the pageants of the world — is due to these lowly
bushes, which
most people think of solely as useful in the production of pies and
puddings.
Without being mown, the huckleberry bears a second crop — a crop of
color. It
is twice blest; it blesses him that eats and him that looks. In many
parts of
New England, at least, the autumnal landscape could better spare the
maples
than the blueberries and the huckleberries. Rum-cherry trees and
shrubs — more
shrubs than trees — are dressed in lovely shades of yellow and salmon.
Spice-bushes wear plain yellow of a peculiarly delicate cast. I roll a
leaf in
my hand and find it still spicy. A bush looks handsomer, I believe, if
it is
known to smell good. The same thought came to me a week ago while I was
admiring the sassafras leaves. They were then just at the point of
ripeness.
Now they have turned to a dead brown. The maple's way is in better
taste — to
shed its leaves while they are still bright and fresh. They are under
my feet
now, a carpet of red and yellow. One of the
oddest
bits of fall coloration (I cannot profess greatly to like it) is the
ghostly
white — greenish white — of Roxbury waxwork leaves. It is unique in
these
parts, so far as I can recall, but is almost identical with the pallor
of
striped maple foliage (Acer
Pennsylvanicum)
as one sees it in the White Mountains. Waxwork pigments all go to the
berries,
it appears. These are showy enough to suit the most barbaric taste, and
are
among the things that speak to me strongest of far-away times, when my
childish
feet were just beginning to wander in nature's garden. The sight of
them reminds
me of what a long time I have lived. A gust of wind strikes a tall willow just as I approach it. See the leaves tumble! Thick and fast they come, a leafy shower, with none of those pretty, hesitating, parachute-like reluctances which we noticed the rounder and lighter birch leaves practicing half an hour ago. The willow leaves, narrow and pointed, fall more like arrows. I am put in mind, I cannot tell why, of an early morning hour, years ago, when I happened to cross a city garden after the first killing frost, and stopped near a Kentucky coffee tree. Its foliage had been struck with death. Not a breath was stirring, but the leaves, already blackened and curled, dropped in one continuous rain. The tree was out of its latitude, and had been caught with its year's work half done. The frost was a tragedy. This breeze among the willow branches is nothing so bad as that. Its errand is all in the order of nature. It calls those who are ready. My
meditations are
still running with the season, still playing with mortality, when a
blue jay
quits a branch near by (I had not seen him) and flies off in silence.
The jay
is a knowing bird. No need to tell him
that there is a time for everything under the sun. He has proverbial
philosophy
to spare. Hark! he has found his voice; like a saucy schoolboy, who
waits till
he is at a safe distance and then puts his thumb to his nose, and cries
“Yaah,
yaah!” Well, the
reader
may thank him for one thing. He has made an end of my autumnal sermon,
the text
of which, if any one cares to look for it, may be found in the
sixty-fourth
chapter of Isaiah, at the sixth verse. |