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BY
ELIZABETH W. CHAMPNEY AND
FRÈRE CHAMPNEY
WITH 96 ILLUSTRATIONS
G. P. PUTNAM’S SONS
NEW YORK AND LONDON
The Knickerbocker Press
1917
Copyright, 1917
by
ELIZABETH W. CHAMPNEY
KASUGA SHRINE, NARA
From a water-colour by Frère Champney.
CONTENTS
PART I
PART II MEDIÆVAL ROMANCE
IV. THE LOTUS LIFE VIII. THE THREE DEVILS
PART III LATTER-DAY TALES
XI. THE
OPEN GATE
XIV. NOTABLE
EXAMPLES OF
Chapter XIV. and the verse, where not
otherwise |
ILLUSTRATIONS KASUGA SHRINE, NARA From a water-colour by Frère Champney.
“THEN TO THE CAVERN THEY HIED WITH UZUME, THE GODDESS OF LAUGHTER” From “Shinto,” by W. G. Aston. Permission of Longmans Green & Co.
“AMATERASU LOOKED ON THE MIRROR OF GOLD”. From “Old-World Japan,” by T. H. Robinson Permission of Macmillan Co.
“AS SHE STOOPED OVER THE WELL, OF A SUDDEN SHE SAW THE FACE OF PRINCE FIRE-FADE REFLECTED THEREIN” From “Old-World Japan,” by T. H. Robinson Permission of Macmillan Co.
“WHEREUPON IT BECAME UNSEEMLY DRUNKEN, LAUGHING HILARIOUSLY, SLASHING AND CAVORTING ITS SEVERAL TAILS” (Hokusai)
“DAYS AND MONTHS AND YEARS TOGETHER, SAILED HE ON THROUGH WIND AND WEATHER” From “Old-World Japan,” by T. H. Robinson Permission of Macmillan Co.
“MOUNTED ON ITS SNOWY PINIONS SWIFTLY SOARED ACROSS THE FOAM” From “Old-World Japan,” by T. H. Robinson Permission of Macmillan Co.
“A GIANT BOAR POSSESSED OF A DEMON, SUSA-NO-WO” (Hokusai).
“YAMATO BESTRODE THE BOAR AND GRASPING THE TAIL SEVERED IT FROM THE SPINE” (Hokusai) .
“GLEAMING MID FLEECY CLOUD, A DAMSEL FAIR” (Sozu Esh’in) Permission of Armand Dayot
“THE CRUEL FISHER SHOOK HIS HEAD” . . From “Old-World Japan,” by T. H. Robinson Permission of Macmillan Co.
“EMPEROR CHIUAI” (Hokusai)
BENTEN, THE DRAGON’S DAUGHTER (Hokusai)
“I ENCOUNTERED THE WINSOME MAID, RUDDY PEACHLING” (Hokusai)
“MERRY MONKS” (Hokusai)
“I SPRANG INTO THE BASKET AND FERRIED MYSELF ACROSS THE CHASM” (Hokusai)
PRINCE UMAYADO . . . From “In Japan,” by Gaston Migeon Permission of Wm. Heineman, London
“MERCIFUL KWANNON” . From “In Japan,” by Gaston Migeon Permission of Wm. Heineman, London
“CROUCHED BENEATH A MAPLE TREE, WITH ANKLES CROSSED, AS HOLY BUDDHAS SIT” (Hokusai)
‘SIPPING SWEET SAKE FROM QUAINT POTTERIES” (Kiyonaga) Permission of Armand Dayot, Paris
A WICKED LIGHT GLEAMED IN THE EYES OF THE FUJIWARA” (Sharaku) Permission of Armand Dayot, Paris
“O UME SAN UTTERED A STIFLED SOB” Colour-print Toyokuni
“PLUM BLOSSOM SMILED” From “Old-World Japan,” by T. H. Robinson Permission of Macmillan Co.
“THE MIKADO AND THE GEISHA SOUGHT SHELTER FROM THE DRIVING SNOW” (Harunobu) Permission of Armand Dayot
“TOKIWA AND IKI ENTERED” (Utarmaro) Permission of Armand Dayot
“THE HIGHWAYMAN HELD HER CAPTIVE” (Hokusai)
PAVILION OF THE PHŒNIX, SUMMER PALACE OF Y0RIMASA, UJI From “Japanese Temples and their Treasures” Permission of the Department of Education, Tokyo, Japan
“YOSHITSUNE SPURRED HIS STEED OVER THE PRECIPICE” (Hokusai)
“A RINGING CRY ROSE FROM A THOUSAND THROATS AS THE GREAT SHIPS GRAPPLED” (Colour-print, Kunitsuna)
“MUNEMORI EVADED THE STROKE AND PLUNGED INTO THE SEA” . . . (Colour-print, Kuniyoshi)
“SO THERE HE SENT A MIGHTY FLEET”
THE FORD OF THE UJIGAWA.
“MAD MERCHANTS AND THEIR MOUNTAINOUS DROMEDARY” (Hokusai)
THE DAIBUTSU
MIYAJIMA “A HARVEST MOON SILVERED THE SACRED ISLE AS WE DRIFTED THROUGH THE WATERGATE” (From a water-colour by Frère Champney)
“THE WIND GOD FUJIN, BRANDISHED THE SACK OF THE TEMPESTS”
“THE TYPHOON FELL UPON US WITH RENEWED FURY” (From colour-print, Hokusai)
“AT LAST, TO OUR UNBOUNDED DELIGHT, WE BEHELD MY GALLANT GALLEY” . . (From Yule’s Marco Polo) Permission of John Munroe
“A PIRATE BOLD OF A GALLEON OLD” (Hokusai)
FRANCIS XAVIER
(From “Arabia, Egypt and India” by Isabella Burton)
“A SHOT RANG OUT AS NOBUNAGA GALLOPED TO OUR RESCUE” (Hokusai)
“BROTHER JUDE LEERED UPON AZALEA COWERING AT HIS FEET’ (Hokusai)
“MANY A LOVESOME EVENING DID WE BEGUILE WITH LUTE AND PSALTERY “ (Hokusai)
“LET HIM BE CRUCIFIED AS A KRISHITAN” From an old Japanese print
“THE ARTIST DIPPED A BRUSH, AND WITH A DEXTEROUS FILLIP HURLED IT INTO THE AIR.” (Hokusai)
THE TOKAIDO (Heroshigi) Permission of Armand Dayot, Paris
“LOWLY WAYFARERS AND LABOURERS” (Hokusai)
“UP STEEP AND TORTUOUS TRAILS THEY TOILED”
“BRIDLE, MY BULLOCK, CAN BEAR MORE GRIEVOUS LOADS AND WHISK HIS TAIL IN THE FACE OF ANY STEED.” (Hokusai)
“STRONG MEN WRESTLED AND TUMBLED” (Hokusai)
MOUNTEBANKS PERFORMED MERRY ANTICS” (Hokusai)
“ON A DAIS STOOD WHITE PEONY”
SNOW BLOSSOMS From a colour-print by Hiroshige
“A LIGHT FLARED FITFULLY UPON THE MALIGNANT FACE OF MATSAKURA”
“HALF THE BAND CLAMBERED OVER THE ROOFS” Reproduced from “The Faithful,” by John Masefleld Permission of Wm. Heineman, London
“SHIKARA LOOMED ABOVE HIM, HIS BLADE FLASHING LIKE A LIGHTNING BOLT" From “Old-World Japan,” by T. H. Robinson Permission of Macmillan Co.
PERRY’S FLEET From “Narrative of Expedition to Japan,” by Commodore M. C. Perry W. Heine, U. S. Government Report
“BEYOND THE MIST-SHROUDED HORIZON LOOMED THE SNOW-WHITE CONE OF FUJIYAMA”
“STRAINS OF PATRIOTIC MUSIC RENT THE AIR AS WE ENTERED THE TREATY HOUSE. From U. S. Government Report. W. Heine
“DRIVING WIND PINNED HIS ANTAGONIST TO THE GROUND” From U. S. Government Report. W. Heine
“GRAVELY THE REPRESENTATIVES OF BOTH NATIONS AFFIXED THEIR SIGNATURES”
“THE PENDENT CLUSTERS OF WISTARIA DROOP THEIR PURPLE TASSELS O’ER THE TRANQUIL LAKE” Copyright by Underwood & Underwood, N. Y.
NAGOYA CASTLE
“IN THE OFFING FLOATS A FLEET OF FISHING JUNKS” (From a colour-print by Hiroshige)
CHERRY-BLOSSOM AND HER KOTO Permission of Theodore Wores and Century Magazine
THE SNOW-WHITE FOX AND THE APE-GOD (Hokusai)
“WITH A BLOW OF HIS SABRE MINAMOTO SEVERED A COSSACK’S HEAD” From a modern colour-print
“MAKE NOT HONOURABLE TEAR-DROPPINGS”
“WITH A BLAST OF STEAM THE BOILERS EXPLODED” From a sketch by Lionel James Permission of The Graphic, London
“ALL NIGHT WE CRUISED FROM ONE SINKING VESSEL TO ANOTHER RESCUING THEIR DROWNING CREWS” From a sketch by Lionel James Permission of The Graphic, London
ADMIRAL TOGO From “The Japanese Nation in Evolution,” by Wm. Elliot Griffis. Permission of Thos. Y. Crowell, Publishers, N. Y.
“O HANA SAN STRUMS HER SAMISEN AND SINGS” Permission of Theodore Wores and the Century Co.
A LONELY BELFRY SHRINED IN SHADOWY FOLIAGE” W. Heine, “Narrative of Expedition to Japan by Commodore M. C. Perry,” U. S. Government Report
PAGODA OF HORIUJI (From a colour-print by Hiroshige)
PAGODA OF YAKUSHIJI Permission of the Department of Education, Tokyo, Japan
KONDO, HORIUJI Permission of Nara Museum
THE GOLDEN PAVILION (Kinkaku-ji)
PAVILION OF THE PHŒNIX, UJI Permission of the Department of Education, Tokyo, Japan
BRONZE INCENSE-BURNERS
THE SILVER PAVILION (Ginkaku-ji)
THE YOMEI-MON (Nikko)
THE STABLE OF THE SACRED HOUSE
THE THREE MONKEYS (Nikko)
HOLY-WATER FONT (Nikko)
INTERIOR TEMPLE OF IEYASU
TOMB OF IEYASU (Nikko)
“SHINTO PRIESTS AND A GOLD AND IVORY GATEWAY”
GATEWAY TO THE TEMPLE OF IEMITSU |
IN our sojourn in their fair islands, greeted everywhere with smiling courtesy and kindly welcome, we were struck by the likeness of this child-hearted folk to men of gentle mind the world over,
Brave, sensitive, and resourceful, achieving masterpieces of art which the world can scarce rival, they show the keenest appreciation of European knowledge and inventions, and a wondrous facility for their adaptation.
It is the aim of the authors to trace the floating bubbles of romance which reveal the deeper tide of history; to show how, despite utter isolation, Japan has kept pace through the ages with the march of nations.
Tradition tells of a mythology as rich in poetic imagery as Ancient Greece. Then dark ages lowered, until Shotoku Taishi, the King Arthur of Japan, brought enlightenment.
The high chivalry of Richard Cœur de Lion finds its counterpart in Yoshitsune, the hero dearest to Nippon’s heart.
Ere Drake delivered England from Spanish invasion, Hojo repulsed the Invincible Armada of the Mongol Khan.
While Philip II. was burning heretics in the Netherlands, Ieyasu crucified the innocent disciples of Francis Xavier, and a Spartan code of honour wreaked the vengeance of the Ronins.
Art and learning flowered under the Tokugawa as in the golden days of the Renaissance.
The expedition of Perry opened the gate to world power, for which the triumphs of Port Arthur and Tsushima proved Japan’s preparedness.
Their National Art displays a gradual development from the naïve sculpture of Shotoku, which recalls the groping of Pre-Raphaelites, to the realistic modernity of Hokusai.
Their Architecture reveals an evolution from the primitive simplicity of ancient Nara to the incredible magnificence of Nikko, where art emerges from its sombre chrysalis, “a flaunting butterfly, painted with the hues of dreams.”
The spirit of their Poetry is so exquisitely elusive, the charm of the thought half-said so truly untranslatable, that any attempt to render literally its rare, fantastic grace must be foredoomed to failure. May we then be pardoned if, in the effort to suggest in English a hint of the original, we have permitted ourselves the liberty of an overfree translation.
Nippon
Immortal land of chivalrous Japan, What dynasties of “heaven-descended” came Since Amaterasu, Sun-Goddess flame, First flushed the snow of Fujiyama’s fan, And her great parents there created man! While Buddha taught the life aloof from blame, Monarch and minion fought for endless fame And Minamoto crushed Taira’s clan.
Then Hojo saved the realm from Kublai Khan, And Xavier raised the Cross a little span, The Tokugawa kindled Learning’s light, The Ronins died an ancient wrong to right Ere Perry oped the door to Liberty And Togo swept the Tartar from the sea |
The authors acknowledge indebtedness to the following authorities:
ALCOCK, SIR RUTHERFORD. The Capital of the Tycoon.
ASIATIC TRANSACTIONS, Publications.
ASTON, W. G. History of Japanese Literature.
BRINKLEY, CAPT. FRANK. history of the Japanese People.
CHAMBERLAIN, BASIL. Things Japanese.
DAVIS, F. HADLAND. Myths and Legends of Japan.
GRIFFIS, W. E. The Japanese Nation in Evolution.
HEARN, LAFCADIO. Glimpses of Unfamiliar Japan, Kotto, etc.
HYAKUNIN ISSHU. Songs of a Hundred Poets. Literal Translation by Clay MacCaulay.
JOLY, HENRI L. Legend in Japanese Art.
LONG, JOHN LUTHER. Short Stories.
LONGFORD, J. H. The Story of Old Japan.
MACLAY. Mito Yashiki.
MITFORD (LORD REDESDALE). Tales of Old Japan.
MIYAMORI, A. Tales from Japanese Dramas.
MURDOCK, JAMES, and YAMAGATA, GOH. History of Japan.
NOGUCHI, YONE. American Diary of a Japanese Girl and the Spirit of Japanese Poetry.
OKUMA, SIHGENOBU (COUNT). Fifty Years of New Japan.
PERRY, COMMODORE MATTHEW CALBRAITH. Narrative of the Expedition of an American Squadron to Japan.
POLO, MARCO. Account of Japan. Translation by Henry Yule.
RINDER, FRANK. Old World Japan.
RIORDAN, R., and TAKAYANAGI. Sunrise Stories.
SEMENOFF, COMMODORE WLADIMIR. Rasplata.