CHAPTER II
CROCUS AND EARLY SPRING FLOWERS
WINTER
in the bulb country is not a very attractive time, at least to the
foreigner. The same possibly may be said of winter in England, though
few healthy Englishmen, unless tied very tightly to town, admit it.
Winter in Holland is long, and, more often than not, very cold. The
canals are often frozen for a considerable time, when the easiest way
to get about in the country districts is on skates. Nearly all Dutchmen
are at home on skates; comparatively few are clever oarsmen, though one
might have thought they had equal opportunities. The reason probably
is, that one can go upon one's work or business on skates, and save
rather than lose time thereby; whereas, in the average man's
circumstances, one can only row for recreation. In England, of course,
such a reason would not operate; and, given the Dutch facilities, one
can imagine that as many good sportsmen would assemble to watch
inter-county contests on the frozen or liquid water (according to
season) as now enthusiastically look on at cricket or football matches.
Certainly there are very marked differences between the nations.
They
show among the women not less than the men. The pride, at least of the
more old-fashioned Dutch housewife, is her stove, the closed stoves,
which heat the room very well and very cleanly, give little assistance
to ventilation, and offer none of the cheer and sympathy of the open
fire. I have only met or heard of one English housewife who was proud
of a shining stove, and she lived in the Potteries, and was the wife of
a cheerful drunkard. In summer the majority of the stoves in Dutch
houses are taken down and put away -- one would like to know where.
They must require room to store, and present an interesting sight,
wrapped in winding-sheets of greased paper, keeping their summer
Sabbath, like the dead kings waiting the summons of Charlemagne's
sword. But the finest and most handsome of stoves are not taken down,
they remain in place through the summer, covered when the weather is
damp and when the room they adorn is not to be occupied; on no account
to be used for fire -- standing as a testimony to the owner's
housewifery and an impressive object to the visitor. One visitor, at
least, was impressed by such a shining steel tower, impressed with the
amount of elbow-grease required to keep it in order, if nothing else;
though that same visitor had the bad taste to admire far more an old
stove, exhibited with similar pride, by the host of a little inn on a
remote Swiss road -- a wonderful stone stove, with the date 1700 cut
into it, and a history as interesting as would be the experiment (for
the uninitiated) of lighting a fire there. A stove, that, to burn
compromising papers, to destroy blood-stained garments and traces of
crime, while the storm thundered without, as it did that day. The Dutch
stoves, no doubt infinitely better fitted for combustion and real
destruction of such things, or any other, make no such suggestions.
They suggest, besides the pride of housewives and the pains of
maid-servants, merely the useful heating apparatus of a comfortable
home, where, when the short days draw in and the lamp is lighted, the
family sit about the table and read and work -- do crochet work and
study the foreign classics. Or perhaps examine pollen and plant
parasites with a microscope; or play very sweetly on the piano, which
not infrequently is adorned with a blue or crimson worked cover.
There
is not much to be done in the bulb gardens in the winter, at all events
during the frosts. The land is put to bed, most of the bulb fields are
covered with straw or reeds, only those containing the hardiest sorts,
such as Scilla sibirica, Winter aconite,
and a few others, are left bare. This covering, which is of varying
thickness to suit the bulbs below, is not moved till the frost breaks
and the milder weather sets in. But when this happens there is a good
deal to do, for it has to be shifted in accordance with the rise and
fall of the thermometer: partially removed if the weather keeps mild,
else the bulbs would develop too fast in the warmth underneath;
replaced for cold nights, or if sharp frost is likely. In early spring
great attention has to be given to this, for with sunny mid-days, sharp
night frosts, periods of prolonged soaking rain and sudden nipping
winds, there is much trouble in suitably protecting and not
over-covering the bulbs.
In
England the flowering of the crocus is looked upon with a certain
amount of joy. It is not, like the first snowdrop, the solitary
blooming of some brave single flower, which gives hope that the winter
may be going, but the sudden bursting into bloom of hundreds, which
declare that the sun has power again. A ribbon of yellow on the grass,
battalions of compact mauve figures on the slope, whole armies, violet
and white and gold, delicately fragrant, alive with humming bees,
definitely proclaiming the doom of winter. If this is so in England, in
Holland the flowering of the crocus means more still; every flower
represents a separate young crocus, a sound saleable corm, if the
grower knows his business and the ground is good. The bulbs, blooming
in hundreds, stand for a harvest underground, the census of which might
be taken from above, had one time and patience to count the flowers,
for at the base of each flower-shoot that the parent bulb throws up a
little young bulb will be found when the roots are lifted at the end of
June. So a field of flowering crocuses is more than a thing of delicate
beauty, and more than a sign that winter is over and past, and the time
of the return of the storks is at hand, it stands for so many
fawn-coloured bulbs -- a marketable commodity, and each in itself a
mystery of re-creation and increase.
Crocuses are not much grown in the immediate vicinity of Haarlem, the
land there is too valuable to be devoted to the inexpensive bulb. Many
thousands come from Hille, some small growers there make a speciality
of them, and grow little else; it is they who supply the big men who
supply the markets. There would seem to be about eighty-three sorts of
crocus now, which is something of an increase on the six sorts which
"Robinio of Paris, that painful and curious searcher after simples,"
sent to Gerard. By Parkinson's time there appear to have been
thirty-one sorts known; but they had begun to cultivate bulbs in
earnest in his day, and to them it would have been more a matter of
interest than surprise to see our varieties, all of which, on the
authority of the grower, it is said, "have been derived from (grown
from seed of) the original Crocus vernus
of South and Central Europe." When this crocus was first introduced
into Holland it is not easy to say. Nor is it easy to discover "when"
(in the words of the same grower) "cultivators and amateurs began to
hybridise the different forms " -- nor yet when there first were
different forms of it to hybridise; certainly it happened very long
ago. There is a tradition that the saffron crocus (Crocus sativus)
was introduced into England in 1339. Hakluyt speaks of its being
brought by a pilgrim who, appreciating the sovereign value of the
plant, and "proposing to do good to his country," carried home a root
hidden in his staff, which had been made hollow "of purpose,'' though
whether for the purpose of carrying saffron or anything else of value
or interest he could pick up, is not dear. In either ease the
proceeding is rather typically English, as also are Hakluyt's further
remarks on saffron growing. He regrets that it has become a failing
industry in these days, when many sturdy fellows are without work, and
suggests, even as we suggest the revival of sundry curious things, that
it should be revived for the benefit of the unemployed, who then, as
now, were a cut-and-come-again problem.
It is
interesting to notice that the older writers include all crocuses and
colchicums under the name saffron, not meaning, as we do now, only the Crocus
sativus.
This crocus, and other varieties of autumn-flowering ones, are grown in
Holland; the delicate flowers, beautifying some few fields when the
rest are, for the most part, bare, give to them almost a look of
spurious spring. It was no doubt this spring-like look of the autumn
flowers which inspired the legend that they first appeared in fields
where Medea spilt some drops of the magic liquor she had prepared to
restore Ęson to the vigour of youth. No doubt also it was
this, and the fact that, reversing the usual order, the seed heads come
in the spring, that gave them their old name,
"Sonne-before-the-father."
The
original crocus of all crocuses is now believed to have been a native
of Kashmere, and to have followed the Aryan migration through the
temperate globe; brought, no doubt, in the first instance for its
saffron, whereof it would seem these remote ancestors of the European
race thought as highly as did Hakluyt's pilgrim. In its various wild
forms it is found now in Persia and the Levant, in the Alps and the
Apennines, in Italy and Greece, and on the lower slopes of the
Pyrenees; and it has been so long in these countries that it has come
to be reckoned an indigenous flower, and has a place in many old
legends. Ovid tells us that Proserpine was picking "graceful crocus and
white lilies" when she was carried off. It is he also who tells of the
origin of the flower in Greece. A youth named Crocus in love with a
nymph Smilax: he, for the impatience of his love, turned into the
flower; and she -- for no apparent reason, which seems unfair -- turned
into, not the delicate green plant we call by her name, but a yew tree,
a somewhat sombre fate for the inamorata of so ephemeral a trifler as
Crocus appears.
In
spite of this tale of impatient love there does not seem to be any
record, as one might have expected, of the use of crocus in the
flavouring of love philtres or charms. The veil of Hymen was
saffron-coloured; the flower, among others, sprang up on the ground
where Zeus and Hera reclined, from sheer astonishment, one might
imagine, at seeing the Olympian pair on good terms. We ourselves have
dedicated it to St. Valentine --
"While the crocus hastens to the shrine
Of Primrose love on St. Valentine" --
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though
the time of its flowering probably has to do with that. But among the
many strange and unpleasant things which have been used in the
flavouring of love philtres saffron does not appear to have had a
place.
It has
been used for many other things. "The crocus rayed with gold" is among
the flowers which crown Sophocles' "mighty goddess." The Greeks also,
we know, reckoned it among perfumes. Aristophanes, in The Clouds,
has a somewhat unquotable line on the subject. Among the Easterns it
was held a choice spice: "Spikenard and saffron, calamus and cinnamon,
with all trees of frankincense; myrrh and aloes," were the spices that
were to flow out from the garden of the Beloved in The Song of Solomon.
One old authority held it to be the food of the fairies, and the humans
in his day held it in high esteem. But now it is fallen from its high
estate, and, though the County Council or some other body might still
prosecute a man for selling adulterated saffron, it would be
disinterested philanthropy, and bear no resemblance to the burning of
offenders at Nuremberg in the fifteenth century for a similar offence.
In Persia it is still much used as a condiment; in a less degree in
Spain; in Holland one finds it flavouring rice boiled with milk; here
in England it lingers still in the saffron cakes of Cornwall, otherwise
it plays small part, except as a food-colouring matter. For that it
seems to have been in use in Shakespeare's time. The clown, who has so
many things to buy for Perdita's shearing feast, ticks it off among the
rest: "I must have saffron," he says, "to colour the warden pies." And
we, though we have lost the receipt for warden pies, still use saffron
to colour our cookery. Especially is this the case in Russia, where the
law holds that all food-colouring must be vegetable, -- a singular law,
when one comes to think that all the alkaloid poisons are of vegetable
origin, and for real nastiness it is hard to beat some of the dyes of
Nature's providing.
But it
was as a drug that the saffron crocus was most greatly prized among the
peoples of middle and western Europe. In the late middle ages it
appears to have been much used as an eye-wash, one feels it was
fortunate folk did not have to try their eyes then as now. By Gerard's
time it was in great favour for many things; he speaks of it as making
"the senses more quicke and lively, shaking off heavie and drowsie
sleep, and making a man merrie." "It is a herb of the Sun and under the
Lion," writes N. Culpeper, student of physic and astrology in 1652.
"Let not above 10 grains be given at one time, for if the Sun, which is
the fountain of life, may dazzle the eyes and make them blinde, a
Cordial being taken in an inordinate quantity may hurt the heart
instead of helping it." This view possibly led to crocus standing in an
early Victorian Language of Flowers for
"excess," or -- in the generous way that one small flower might then be
interpreted to mean a whole phrase -- "beware of excess of love." But
it is more than as a cordial for the heart that N. Culpeper regards
saffron: "It quickens the brain," he says, "for the Sun is exalted in
Aries, as well as he hath his house in the Dragon head, it helps the
Consumption of the Lungs and difficulty of breathing, it is an
excellent thing in epedemcal diseases, as Pestillence, Small Pox, and
Measles; it is an excellent expulsive medicine and a notable remedy for
the Yellow Jaundice." More than this can hardly be asked of one plant.
After it the humble snowdrop is a mere nobody.
The
snowdrop may, with justice, be called humble, certainly it has a much
better right to the title than the violet. Gerard, by the way, speaks
of it as a "bulbous violet," though there seems little resemblance
between them, except the ascribed qualities of humility and retirement,
which are entirely undeserved in one case. Violets like sunshine, a
good position, and fat living, and, though the leaves hide the flowers
in some varieties, it is of those that the scent is strongest and most
betraying. It is not the fault of the plant if it is suffered to "blush
unseen." but snowdrops really do like retirement and poor ground. In
Holland they decline entirely to grow in the open in fields or gardens,
and they cannot thrive, really cannot live, in manure and all fat soil.
All the snowdrop bulbs which are raised in Holland are grown under
hedges or in orchards, where the roots of the trees impoverish the
ground and take from it what the little bulbs dislike. Mostly they are
grown by the smaller growers, who sell them to the big- ones in their
immediate neighbourhood. It is possibly this preference for overgrown
places and neglected soil which has made snowdrops flourish and
increase so in the orchards and overgrown gardens of old monasteries.
It has been suggested that it is because they were planted there in
such abundance in the old days when they were sacred to the Virgin, and
were used to strew her altars on the Feast of the Purification, -- when
they, the Fair Maids of February, as they were called, were the only
maids who had any right within those walls. But since they flourish
equally well in old shrubberies and orchards unconnected with
monasteries and monastic history, it looks rather as if soil and
situation has a good deal to do with it too.
They
have long been grown in Holland. The old Dutch name was Somer
Sottekens, though what it means I have not been able to discover.
Somer, no doubt, is another form of "Zomer" (summer), though snowdrops
no more then than now bloomed nor yet were planted in summer; Sottekens
remains, to me at least, a mystery. The first snowdrops came from
Germany and Hungary, and the later blooming sort from Constantinople.
In Parkinson's day there was no talk of' them being native to England.
They had not been in the country long enough to have increased and
naturalised themselves, as they have in some districts now.
Undisturbed, in both England and Holland they increase rapidly, by
offsets, according to the usual bulb habit; if they like the situation,
often forming clumps twenty or thirty strong, and continuing to grow in
land that has long gone out of cultivation.
In England the flower is not so much admired as
it used to be, when it --
Chaste snowdrop, venturous harbinger of Spring,
And pensive monitor of fleeting years --
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received
the tribute of much minor verse. Now we principally remember in
connection with it that it does not lend itself well to pot culture,
and makes no show as a cut flower; hence, seeing its inconspicuousness
and the usual state of the weather at the time of blooming, it is of
little use as an ornament. And the fact that it either takes so kindly
to its surroundings that it becomes almost a weed, or else dislikes
them and practically declines to grow at all, is rather against it. But
in the days of our grandmothers it was different, then it was
essentially the young girl's flower, and so was graced with all the
characteristics which were reckoned to adorn "refilled and elegant
young females." Of it, "the Winter's timid child," a poetess of those
days wrote: --
All weak and wan, with head inclined,
Its parent breast the drifted snow,
It trembles, while the ruthless wind
Bends its slim form; the tempest lowers,
Its emerald eye drops crystal showers
On its cold bed below.
Where'er I find thee, gentle flower,
Thou still art sweet and dear to me!
For I have known the cheerless hour,
Have seen the sunbeams cold and pale,
Have felt the chilling wintry gale,
And wept and shrunk, like thee.
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Conceive the delight of the first "elegant young female" who saw these
words inscribed on the pink-tinted pages of her album, probably beneath
some two or three dried flowers of the mishandled plant. Well, well, we
have changed all that now; the elegant females have gone, though the
minor poet is still with us, and no less minor, though possibly less
"refined."
Earlier than crocus, as early as snowdrops,
comes the winter aconite -- Eranthis hyemalis.
It is grown in quantity in Holland, but as the corms are so very small,
not more than half an inch in diameter, one does not see large
stretches. It is said that as many as a thousand good corms can be
raised on two square metres of land, so naturally it is sold cheap. We
prize it as one of the earliest flowers of the year, and because it is
hardy, and will, if left to itself, grow anywhere, even under deciduous
shrubs. But to our forbears it had another and greater importance, for
it was reckoned the "counter-poison monkhood," and its roots were
considered "effectual, not only against the poison of the poisonful
helmet flower and all others of that kind, but also against the poison
of all venomous beasts," -- a large and useful characteristic to be
possessed by any plant.
One of the most beautiful of the early spring
flowers is one practically without history -- the Scilla sibirica.
It is comparatively a newcomer in Dutch bulb fields, for it was brought
to Europe from Asia Minor, the Happy Land of bulb collectors, somewhere
about 1800. As yet there are only three varieties differing from the
original and first discovered kind. These are pale blue, white, and
pinkish pale blue, all reared from seed, and none, in the opinion of
the uninitiated, to compare with the original blue, -- a colour bluer
than anything else that grows, except perhaps gentians, and though not
so deep and intense, almost more brilliant and striking than they.
Coming into flower almost before crocus, growing low and close to the
ground, and of this rare and exquisite colour, a field of them in
flower against the pearly paleness of the cold landscape is a sight not
to be forgotten. In England, though they are admired, they are hardly
yet grown so much as one would expect, seeing that they will endure
hard treatment and a poor soil, and, if untouched, year after year send
their blue flowers through the grass. Immense numbers are grown in
Holland, though not round Haarlem, more in the direction of Hillegom,
where the land is cheap. The little bulbs increase rapidly, from
offsets which grow around the parent. They can also be easily raised
from seed, and, contrary to the habit of most bulbs, come to the
flowering stage fairly quickly, seed-grown Scillas being of a saleable
size in from three to four years after sowing.
It was certainly not this early blooming
member of the Scilla family that Reginald Scott had in his mind when,
in his Discovery of Witchcraft (1587),
he wrote of the countries "where they hang Scilla (which is either a
root or in this place garlic) in the roof of the house to keep away
witches and spirits." One wonders a little what he meant, for garlic is
not a Scilla, and it hardly seems likely he was referring to what
Parkinson calls Scilla alba,
or the Great Sea Onion of the Mediterranean. Onions proper, and many
varieties of the Alliums, have, of course, played some considerable
part in the history of witchcraft. The only two cases of witchcraft
which came under the personal notice of the present writer were
connected with the homely English onion. In the one ease, it was an old
man who accused his neighbour of "overlooking the onion bed," with dire
results; and in the other, it was an accredited wizard who "named an
onion for" his enemy, stuck it full of pins, and hung it to shrivel in
the chimney, in order that the enemy might shrivel as the onion did,
and within the year die in agony. As it happened, however, it was the
wizard who died. On his death-bed he sent for the other, confessed what
he had done, and ordered that the shrivelled onion should be given him,
possibly with the idea of undoing the spell, which had rebounded on
himself. The enemy is alive to this day, and is as great a man as the
other was little, and better known for good works than the other was
for bad -- wherefrom, obviously, there is a moral.
The
Allium family has a long history and many uses, but as ornamental
plants they are hardly to be recommended. Some of them are grown in
Holland for that purpose, and we read of them in the catalogues --
handsome pale blue, yellow, and white flowers, and a few rarer ones
pink, very showy, and for the most part somewhat unsavoury if broken or
even slightly bruised. They are the smart members of a homely family,
and, as is usually the ease with such, though no doubt very admirable
in some ways, not appealing specially to the majority of people. But
Alliums blooming, as they do, in May, are hardly early spring flowers,
and having by some devious way reached them, the subject had better be
quitted.
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