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THE ADVENTURES OF PINOCCHIO



by C. Collodi
  
Translated from the Italian by
Walter S. Camp
 
With Editorial Revision by
Sara E. H. Lockwood
 
With Many Original Drawings by
Charles Copeland
 
 Ginn and Company
Boston – New York
Chicago -- London
 
1904


PREFACE

CHAPTER 1
How it happened that Master Cherry, carpenter, found a piece of wood that wept and laughed like a child.
 
CHAPTER 2
Master Cherry gives the piece of wood to his friend Geppetto, who takes it to make himself a Marionette
that will dance, fence, and turn somersaults.

 
CHAPTER 3
As soon as he gets home, Geppetto fashions the Marionette and calls it Pinocchio. The first pranks of the Marionette.
 
CHAPTER 4
The story of Pinocchio and the Talking Cricket, in which one sees that bad children do not like to be corrected
by those who know more than they do.

 
CHAPTER 5
Pinocchio is hungry and looks for an egg to cook himself an omelet; but, to his surprise, the omelet flies out of the window.
 
CHAPTER 6
Pinocchio falls asleep with his feet on a foot warmer, and awakens the next day with his feet all burned off.
 
CHAPTER 7
Geppetto returns home and gives his own breakfast to the Marionette
 
CHAPTER 8
Geppetto makes Pinocchio a new pair of feet, and sells his coat to buy him an A-B-C book.
 
CHAPTER 9
Pinocchio sells his A-B-C book to pay his way into the Marionette Theater.
 
CHAPTER 10
The Marionettes recognize their brother Pinocchio, and greet him with loud cheers;
but the Director, Fire Eater, happens along and poor Pinocchio almost loses his life.

 
CHAPTER 11
Fire Eater sneezes and forgives Pinocchio, who saves his friend, Harlequin, from death.
 
CHAPTER 12
Fire Eater gives Pinocchio five gold pieces for his father, Geppetto; but the Marionette meets a Fox and a Cat and follows them.
 
CHAPTER 13
The Inn of the Red Lobster
 
CHAPTER 14
Pinocchio, not having listened to the good advice of the Talking Cricket, falls into the hands of the Assassins.
 
CHAPTER 15
The Assassins chase Pinocchio, catch him, and hang him to the branch of a giant oak tree.
 
CHAPTER 16
The Lovely Maiden with Azure Hair sends for the poor Marionette, puts him to bed,
and calls three Doctors to tell her if Pinocchio is dead or alive.

 
CHAPTER 17
Pinocchio eats sugar, but refuses to take medicine. When the undertakers come for him, he drinks the medicine and feels better.
Afterwards he tells a lie and, in punishment, his nose grows longer and longer.

 
CHAPTER 18
Pinocchio finds the Fox and the Cat again, and goes with them to sow the gold pieces in the Field of Wonders.
 
CHAPTER 19
Pinocchio is robbed of his gold pieces and, in punishment, is sentenced to four months in prison.
 
CHAPTER 20
Freed from prison, Pinocchio sets out to return to the Fairy; but on the way he meets a Serpent and later is caught in a trap.
 
CHAPTER 21
Pinocchio is caught by a Farmer, who uses him as a watchdog for his chicken coop.
 
CHAPTER 22
Pinocchio discovers the thieves and, as a reward for faithfulness, he regains his liberty.
 
CHAPTER 23
Pinocchio weeps upon learning that the Lovely Maiden with Azure Hair is dead. He meets a Pigeon, who carries him to the seashore.
He throws himself into the sea to go to the aid of his father.

 
CHAPTER 24
Pinocchio reaches the Island of the Busy Bees and finds the Fairy once more.
 
CHAPTER 25
Pinocchio promises the Fairy to be good and to study, as he is growing tired of being a Marionette, and wishes to become a real boy.
 
CHAPTER 26
Pinocchio goes to the seashore with his friends to see the Terrible Shark.
 
CHAPTER 27
The great battle between Pinocchio and his playmates. One is wounded. Pinocchio is arrested.
 
CHAPTER 28
Pinocchio runs the danger of being fried in a pan like a fish
 
CHAPTER 29
Pinocchio returns to the Fairy's house and she promises him that, on the morrow, he will cease to be a Marionette and become a boy.
A wonderful party of coffee-and-milk to celebrate the great event.

 
CHAPTER 30
Pinocchio, instead of becoming a boy, runs away to the Land of Toys with his friend, Lamp-Wick.
 
CHAPTER 31
After five months of play, Pinocchio wakes up one fine morning and finds a great surprise awaiting him.
 
CHAPTER 32
Pinocchio's ears become like those of a Donkey. In a little while he changes into a real Donkey and begins to bray.
 
CHAPTER 33
Pinocchio, having become a Donkey, is bought by the owner of a Circus, who wants to teach him to do tricks.
The Donkey becomes lame and is sold to a man who wants to use his skin for a drumhead.

 
CHAPTER 34
Pinocchio is thrown into the sea, eaten by fishes, and becomes a Marionette once more.
As he swims to land, he is swallowed by the Terrible Shark.

 
CHAPTER 35
In the Shark's body Pinocchio finds whom? Read this chapter, my children, and you will know.
 
CHAPTER 36
Pinocchio finally ceases to be a Marionette and becomes a boy



PREFACE

Under the assumed name of C. Collodi, Carlo Lorenzini is well known to the reading world of Italy. His most successful book, Pinocchio, was written for children, and has already become a classic. Of all the fairy stories of Italian literature this is the best known and the best loved. The name of the marionette hero is familiar in every household of northern and central Italy. In its whimsical extravagance, its quaint humor, and its narrative style the story appeals strongly to both old and young.

American children, who have long delighted in French and German fairy tales, and among whom Hans Christian Andersen is universally beloved, should not remain in ignorance of this Italian classic. The Florentines call it a literary jewel, and as such it should be known to all young readers. In order to preserve the unique flavor of the story as much as possible the translator has followed the original rather closely. Pinocchio's waywardness and love of mischief are fully set forth, and the moral, though sufficiently obvious, is not allowed to detract from the enjoyment of his adventures.

The story is one that readily lends itself to the fertile fancy and skillful pencil of an able illustrator. In the present volume, as in the original, the pictures play an important part which is not likely to be overlooked by the readers for whom the book is designed.