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SEVEN CITIES OF CIBOLA

BY
AILEEN
NUSBAUM

WITH PICTURES BY

MARGARET
FINNAN

GP PUTNAM'S SONS
NEW YORK LONDON
1926

To
TÉ-CHA-LÉ OF HAWIKUH

LONG AGO THERE WERE SEVEN
TERRACED CITIES ALL
REDGOLD IN THE
SUNSHINE AND SO
FAIR TO SEE WERE
THEY THAT THE GODS
CAME DOWN AND
WONDERED AT WHAT
MEN HAD MADE

INTRODUCTION

T

HE SEVEN CITIES OF CIBOLA" is a collection of Zuñi Folk Tales retold for children. It is the account of the life and customs of the Zuñi Indians in the days of the ancients, and was handed down from generation to generation, long before the coming. of the white men. This interesting people, with their strange superstitions and beliefs, their childlike simplicity and rare beauty of thought, have, through their word-pictures, enabled us to see today a land of fancy that is unique.

The wonderful works of Frank Hamilton Cushing, James. and Matilda Cox Stevenson and Frederick Webb Hodge have preserved for the student of American ethnology the folk lore of the Zuñi Indians, and it is well that this has been done. The Zuñis have no written language. The telling of their myths is a religious rite with them, and the old men relate the stories to the younger ones. That was in the past, and is in the present; but the young men have followed in the foot-steps of modern civilization, and soon the old men will be no more. Six years ago Mr. Nusbaum was Mr. Hodge's field assistant during the excavation of Háwikuh, one of the seven cities of Cibola. Many Zuñi Indians were employed in the work, and we gained their confidence and friendship. Our seven-year-old son was adopted into the tribe, and given the name of Té-cha-lé, the Pottery Child.

To Té-cha-lé the old men told many stories, and sitting a little apart, I listened silently to the treasures one little boy was having poured into his lap. Then came the wish to give other American children the privilege of hearing some of the most beautiful stories ever imagined, and stories that are not borrowed from another land, but are of the soil of our great Southwest.

I wish to express my indebtedness to the late Frank Hamilton Cushing whose "Zuñi Creation Myths," "Zuñi Folk Tales" and "Zuñi Breadstuffs" have been the main source of my information; and my very special thanks to Frederick Webb Hodge for kindly advice and suggestions; to Margaret Nowell Finnan whose drawings are based on authentic Zuñi designs, costumes and customs collected through tireless research. I want to thank my many Zuñi Indian friends whose help and criticism I value; and to the little boy who furnished the inspiration.

 

CONTENTS
 


ILLUSTRATIONS