|
|||
Kellscraft
Studio Home Page |
Wallpaper
Images for your Computer |
Nekrassoff Informational Pages |
Web
Text-ures© Free Books on-line |
ADVENTURES
OF A COUNTRY BOY
By Jacob Abbott Retold by Clifton Johnson AMERICAN BOOK COMPANY NEW YORK CINCINNATI CHICAGO Copyright, 1916, by CLIFTON JOHNSON INTRODUCTION BY
LYMAN ABBOTT ALL good men love children, but my father not only loved, he respected them. This respect which he had for children was, I think, the secret of his power over them, which was quite as remarkable as his literary success in writing for them. In a true sense it might be said that he treated children as his equals, not through any device or from any scheme, but spontaneously and naturally. He never deceived children,
never tricked them with
cunning devices, never lied to them. This may seem small praise, yet
men — and
for that matter women — who never lie to children are, I am afraid, a
rather
small minority. A promise to a child was quite as sacred in his eyes as
a
promise to a grown person. He would as soon have thought of defaulting
on a
promissory note as defaulting on a promise to a child. He trusted the
judgment
of children, took counsel with them, not in a false pretense but in
reality,
and in all the matters which concerned them and their world was largely
governed by their judgments. He threw responsibility upon them, great
responsibility, and they knew it. The audacity of his confidence
surprises me
even now as I look back upon it. I entered college before I was
fourteen. My
father not only let me choose the college for myself, but made me
decide for
myself whether I would go to college. When the time for entrance
examination
approached, he called me to him, told me that if I went into business
as an
errand boy he would lay up for me every year what the college life
would cost
him, so-that at eighteen I should have a capital of two thousand
dollars and
interest. Thus I not only had to decide that I would go to college, but
also
had to decide that I was willing to give up two thousand dollars for a
college
education, and two thousand dollars was a large sum to my boyish mind.
But, as
a result, I took college life with great seriousness, quite resolved to
get the
two thousand dollars' value out of the education. This act was quite
characteristic of my father. Though he was my wisest counselor, I
cannot
remember that he ever gave me a definite and specific piece of advice;
he put
questions before me with great clearness, summed up the pros and cons
like a
judge upon the bench, and then left me to be the final arbiter. This respect which he showed to
children inspired
them with respect for themselves and for one another. It gave dignity
to the
children who came under his influence. That influence was a masterful
one. I
should misrepresent him if I gave the impression that he exercised no
authority. On the contrary, his authority was supreme and final; he
gave few
commands, but he required prompt, implicit, and unquestioning obedience
to
those which he did give. I have known children to disobey him, but I
never knew
one to rebel against him. I do not know what would have happened in
case of a
rebellion. I think no child ever thought of it as possible. I never
knew him to
strike a blow. I do not recall that he ever sent a child to his room,
or
supperless to bed, or set him to write in his copy book, or to learn
tasks, or
resorted to any other of the similar expedients, necessary perhaps in
school,
and frequent in most families. In general he simply administered
natural
penalties. If a child lied or broke his promises, he was distrusted. If
he was
careless or negligent, the things which were given to other children to
play
with were withheld from him. If he quarreled, he was taken away from
his
playmates, but made as happy as he could be made in solitude. The
children were
themselves encouraged to inflict a kind of child penalty. In the yard
at
Fewacres, his country home, which was a favorite playground for invited
children from the village, as well as for his own grandchildren, he had
a
square stone set up. Then he said, "If any child gets cross and sulky
and
cries, he can go and sit on the 'crying stone' just as long as he wants
to and
cry it out." Whenever any child did grow sulky and cross, all the rest
of
the children clamored, "To the crying stone, to the crying stone,"
and it is needless to say that it was rarely the case that a child took
advantage of the prerogative thus afforded him. This little incident I
recall
simply because it is significant of my father's methods with children.
He
distinguished sharply, and the children quickly learned to distinguish
between
advice and law. When he gave advice the child
was perfectly at
liberty to regard it or disregard it as he pleased, and after
disregarding it
fell into no disrepute or disfavor of any kind. But law, when it was
issued,
which was not often, must be at once obeyed without hesitation, and
without
question. He approved and encouraged independence and self-confidence
in
children but he required prompt and unhesitating obedience. This spirit of respect which my
father had for
children interprets his literary method. He never condescended to
children,
never talked down to them or wrote down to them. He believed they could
understand large truths if they were simply and clearly stated. So in
"Science for the Young" he dealt with some of the most interesting
scientific phenomena; in his Red Histories he used biography to make
clear the
great historical epochs; in his "Young Christian" he interpreted the
profound phases of spiritual experience. This spirit of confidence
determined
his style. He never sought for short and easy words, but selected what
he
thought the best word to express his meaning. The child, he said, will
get the
meaning of the word from the context, or if he does not, he will ask
his mother
what the word means, and so he will be learning language. He did not
write
books about children for grown people to read. He wrote books for
children
because he shared their life with them. Perhaps it is a son's
prejudice, but
his books still seem to me to be among the best of true children's
books. A
SKETCH OF THE AUTHOR'S LIFE Jacob Abbott's ancestors were
hardy, honest country
folk who came from England to Massachusetts in early colonial days. His
father
married while a resident of Concord, New Hampshire, in 1798, and two
years
later moved to Hallowell, Maine, a town of some commercial importance
on the
Kennebec River. There Jacob, their eldest son, was born in 1803. At the age of seventeen Jacob
was graduated from
Bowdoin College. Soon afterwards he accepted a position as teacher in
the
Portland Academy, where he had for one of his pupils the poet
Longfellow, then
a boy of thirteen. In intervals between teaching, he studied theology
at
Andover Seminary, and in 1824 he became a tutor at Amherst College. He moved to Boston in 1829 to
establish a school for
young ladies. Meanwhile, he had married. About this time his first book
was
published. Other books followed, and he also wrote much for
periodicals. After a few years he gave up
teaching, and presently
he moved to Farmington, seventy miles north of Portland, where he built
a
simple one-story cottage. The road that passed his home
led up a hill northerly
to a plateau where stood the village, with its several churches and
flourishing
academy, overlooking one of the most fertile and tranquil river valleys
in New
England. Mr. Abbott sometimes occupied village pulpit, or was called to
officiate at a funeral, or to drive a few miles out into the back
districts to
address a Sunday school. The cottage was on a four-acre
tract of unimproved
land diversified by bold slopes and wooded ravines, and traversed by a
sluggish
brook. A sandhill, perhaps fifty feet high, thrust out from the plateau
on to
his property, and this he trimmed with a scraper into graceful
proportions,
sodded, and planted with trees. Mount Blue towered on the northern
horizon
twenty miles away, so he called the transformed sand knob "Little
Blue." At one place he broadened and
deepened the brook into
a pond, which afforded his boys a fine opportunity for the sports of
summer and
winter. He built bridges, made paths, and put up wooden benches for
seats, and
the place became known throughout the country by the name of its chief
attraction "Little Blue." Mr. Abbott's wife died in 1843.
He then went to New
York where for the next few years he gave much time to teaching, but by
1850
writing had again become his main occupation. Between 1843 and 1870, eight
visits to Europe
furnished inspiration for numerous travel volumes, mostly for young
readers.
During this period he produced fully three-fourths' of the one hundred
and
eighty books of which he was the author. These included works that
dealt with
education, science, and history, but stories for children predominated.
He was
able to write anywhere and everywhere. Whether he was in the waiting
room of a
railway station, or in the seclusion of his study, and whether the time
was
morning or late in the evening, mattered little. He was constantly
studying
human life, especially child life, and often what he relates in his
stories is
a faithful record of real happenings. As Mr. Abbott grew older he was
attracted more and
more to the cottage at Farmington. The little tract on which it stood
commanded
delightful views of river and meadows, and afforded an agreeable
opportunity
for the gentle physical labor of making outdoor improvements, which was
always
Jacob Abbott's favorite recreation. At length he made "Fewacres," as
he called it, his permanent abode. He enjoyed the quiet beauty of the
spot, the
simple manners of the community, and the independence of the retired
life he
led. Here his closing years glided
away. His only writings
now were frequent letters to his children and grandchildren and
occasional
answers to correspondents, with now and then an article for a
periodical. The
summers were enlivened by the visits of one or more of his sons, and
the
grandchildren filled the house with their welcome noise. To the
enjoyment of
the little people he ministered untiringly, and he devised many odd and
entertaining methods for their mental and moral improvement. Toward the very end of Mr.
Abbott's life the only
exercise he was able to take consisted of gentle saunterings, cane in
hand,
about his home grounds. His favorite resource indoors was to have his
books
read aloud to him, as he sat in an easy chair where he could look
through a
window and watch the passers-by. He had forgotten even the names of
many of his
books, but in listening to their contents the past was revived in a way
that
gave him great pleasure. The end came in the autumn of 1879, and in so
far as
this saved him from being "doomed to a helpless old age" it accorded
with his desire. Jacob Abbott's father had five
sons, all of whom
became ministers and teachers, and, with one exception, authors. It is
equally
worthy of note that all of Jacob Abbott's four sons developed into men
of
unusual ability and usefulness. Through his writings Jacob
Abbott's influence was
very great and very sound, not only with youth and thoughtful adults,
in
America, but to a large extent abroad. It is characteristic of his
juvenile
fiction, which was so fascinating to the younger people in the middle
of the
last century, that it contains much general information and teaches
many
wholesome lessons in right thinking and right acting. The present book is an excellent
example of his work
at its best. For the most part the movement of the story is quiet, but
the
incidents are varied, and there are some episodes which are distinctly
exciting, while always there is the charm of a sincere and lucid
telling that
makes the events described seem very real. The leading characters are
so
likable, too, that the reader unconsciously feels he is in good
company, and
the inclination is cultivated to imitate these attractive young people
in the
book. Most of the adventures are from
a volume in the
"Franconia Series" entitled "Beechnut," but some portions
of the other books have been included to make the story complete. The
editing
consists chiefly in selecting what was essential, and in omitting
unnecessary
details and the moralizing to which writers for children of that period
were
prone. CLIFTON JOHNSON. Hadley, Mass.
|